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Open a larger version of the following image in a popup: Vintage burgundy etching art print by artist Robyn Denny against white background
Open a larger version of the following image in a popup: Robyn Denny, <i>Graffiti 22</i>, 1977
Open a larger version of the following image in a popup: Robyn Denny, <i>Graffiti 22</i>, 1977
Open a larger version of the following image in a popup: Corner of Robyn Denny etching called Graffiti 22 showing his signature
Open a larger version of the following image in a popup: Burgundy etching art print by Robyn Denny in black frame above ivory sofa

Robyn Denny British, 1930-2014

Graffiti 22, 1977
Etching on Arches wove paper
Edition 8 of 20
Signed, dated, titled, and numbered in pencil
21 1/4 x 16 in | 54 x 40.6 cm
Sold unframed
$1,000
Robyn Denny, <i>Graffiti 22</i>, 1977
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Further images

  • (View a larger image of thumbnail 1 ) Vintage burgundy etching art print by artist Robyn Denny against white background
  • (View a larger image of thumbnail 2 ) Michael Heindorff, <i>Tasso's Tree XIII</i>, 1986
  • (View a larger image of thumbnail 3 ) Michael Heindorff, <i>Tasso's Tree XIII</i>, 1986
  • (View a larger image of thumbnail 4 ) Corner of Robyn Denny etching called Graffiti 22 showing his signature
  • (View a larger image of thumbnail 5 ) Burgundy etching art print by Robyn Denny in black frame above ivory sofa
COA issued by Collette Gallery
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Art the Work

Graffiti 22 is an etching created by British artist Robyn Denny in 1977, depicting linear lines within a geometric abstraction in deep burgundy pigment. This print is part of the artist's 'Graffiti' collection, which comprises twenty-five distinct, heavily pigmented images, produced as either etchings or aquatints, each showcasing the artist's fascination with art and public space. For these works, Denny was inspired by such urban elements as metal signage and the use of walls as a canvas, which together contribute to the layering of visual meaning.


This 'Graffiti' series also highlights Denny's extensive printmaking practice, which is often overshadowed by his more famous monumental paintings and murals. He created this series as both etchings and aquatints, demonstrating their reproducibility and thus echoing the themes of repetition common to the urban environments that inspired them.

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