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Open a larger version of the following image in a popup: Black and white lithograph print by Dutch artist Armando entitle The Cannon against a white background
Open a larger version of the following image in a popup: Black and white lithograph print by Dutch artist Armando in black frame shown in museum with blurred woman walking past it
Open a larger version of the following image in a popup: Up close detail of Armando's lithigraph entitled The Cannon
Open a larger version of the following image in a popup: Corner of Dutch artist Armando's art print The Cannon showing his signature in pencil

Armando Dutch, 1929-2018

Die Kanone, 1997
Lithograph on paper
22 1/2 x 29 1/2 in | 57.1 x 74.9 cm
Edition 8 of 60
Signed, titled, and numbered in pencil
$500
Armando, <i>Die Kanone</i>, 1997
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Further images

  • (View a larger image of thumbnail 1 ) Black and white lithograph print by Dutch artist Armando entitle The Cannon against a white background
  • (View a larger image of thumbnail 2 ) Black and white lithograph print by Dutch artist Armando in black frame shown in museum with blurred woman walking past it
  • (View a larger image of thumbnail 3 ) Up close detail of Armando's lithigraph entitled The Cannon
  • (View a larger image of thumbnail 4 ) Corner of Dutch artist Armando's art print The Cannon showing his signature in pencil
COA issued by Collette Gallery
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About the Work


Die Kanone (The Cannon) is a 1997 lithograph by the renowned Dutch multidisciplinary artist Armando. This work features an abstract depiction of a military cannon and was produced during the artist's late-career exploration of printmaking. It exemplifies the recurring theme of war in Armando's art, which is informed by his experiences growing up under Nazi occupation.


In this piece, Armando represents the cannon as an abstract, amorphous form, printed with gritty black carborundum using steel intaglio plates. The result is a heavy, textured image set against a vast expanse of white space, which is another characteristic of the artist's signature aesthetics.


From an edition of 60 and printed on heavy wove paper, this lithograph was likely produced at Printshop Piet Clement in Amsterdam and published by Galerie Willy Schoots in Eindhoven.

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