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    Open a larger version of the following image in a popup: Vintage orange and black etching art print by Robyn Denny set against a white background
    Open a larger version of the following image in a popup: Blurred woman walking past framed etching art print by Robyn Denny
    Open a larger version of the following image in a popup: Close-up corner of an orange and black etching by artist Robyn Denny
    Open a larger version of the following image in a popup: Framed vintage orange and black etching by artist Robyn Denny over an ivory sofa

    Robyn Denny British, 1930-2014

    Graffiti 2, 1977
    Etching on paper
    21 1/4 x 16 in | 54 x 40.6 cm
    Edition 8 of 10
    Signed, dated, titled, and numbered in pencil
    $1,000
    Robyn Denny, <i>Graffiti 2</i>, 1977
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    Further images

    • (View a larger image of thumbnail 1 ) Vintage orange and black etching art print by Robyn Denny set against a white background
    • (View a larger image of thumbnail 2 ) Blurred woman walking past framed etching art print by Robyn Denny
    • (View a larger image of thumbnail 3 ) Close-up corner of an orange and black etching by artist Robyn Denny
    • (View a larger image of thumbnail 4 ) Framed vintage orange and black etching by artist Robyn Denny over an ivory sofa
    COA issued by Collette Gallery
    Read more
    About the Work 

    Graffiti 2 is an etching created by British artist Robyn Denny in 1977, depicting linear lines within a geometric abstraction in rich orange pigment. This print is part of the artist's 'Graffiti' collection, which comprises twenty-five distinct and heavily pigmented images, produced as either etchings or aquatints, with each showcasing the artist's fascination with art and public space. For these works, Denny was inspired by such urban elements as metal signage and the use of walls as a canvas, which together contribute to the layering of visual meaning.

    This 'Graffiti' series also highlights Denny's extensive printmaking practice, which is often overshadowed by his more famous monumental paintings and murals. He created this series as both etchings and aquatints, exhibiting their reproduction and repeatability, and thus echoing the themes of repetition commonly found in the urban environments that inspired them.
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