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Prints & Editions

Open a larger version of the following image in a popup: Vintage orange and black etching art print by Robyn Denny set against a white background
Open a larger version of the following image in a popup: Robyn Denny, <i>Graffiti 2</i>, 1977
Open a larger version of the following image in a popup: Robyn Denny, <i>Graffiti 2</i>, 1977
Open a larger version of the following image in a popup: Close-up corner of an orange and black etching by artist Robyn Denny
Open a larger version of the following image in a popup: Framed vintage orange and black etching by artist Robyn Denny over an ivory sofa

Robyn Denny British, 1930-2014

Graffiti 2, 1977
Etching on Arches wove paper
Edition 8 of 10
Signed, dated, titled, and numbered in pencil
21 1/4 x 16 in | 54 x 40.6 cm
Sold unframed
$1,000
Robyn Denny, <i>Graffiti 2</i>, 1977
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Further images

  • (View a larger image of thumbnail 1 ) Vintage orange and black etching art print by Robyn Denny set against a white background
  • (View a larger image of thumbnail 2 ) Thumbnail of additional image
  • (View a larger image of thumbnail 3 ) Thumbnail of additional image
  • (View a larger image of thumbnail 4 ) Close-up corner of an orange and black etching by artist Robyn Denny
  • (View a larger image of thumbnail 5 ) Framed vintage orange and black etching by artist Robyn Denny over an ivory sofa
COA issued by Collette Gallery
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About the Work 

Graffiti 2 is an etching created by British artist Robyn Denny in 1977, depicting linear lines within a geometric abstraction in rich orange pigment. This print is part of the artist's 'Graffiti' collection, which comprises twenty-five distinct and heavily pigmented images, produced as either etchings or aquatints, with each showcasing the artist's fascination with art and public space. For these works, Denny was inspired by such urban elements as metal signage and the use of walls as a canvas, which together contribute to the layering of visual meaning.

This 'Graffiti' series also highlights Denny's extensive printmaking practice, which is often overshadowed by his more famous monumental paintings and murals. He created this series as both etchings and aquatints, exhibiting their reproduction and repeatability, and thus echoing the themes of repetition commonly found in the urban environments that inspired them.
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