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Michael Heindorff
German-American, b. 1949

Michael Heindorff German-American, b. 1949

  • Biography
  • Works
Open a larger version of the following image in a popup: Michael Heindorff, <i>Tasso's Tree X</i>, 1986
Open a larger version of the following image in a popup: Michael Heindorff, <i>Tasso's Tree X</i>, 1986
Open a larger version of the following image in a popup: Michael Heindorff, <i>Tasso's Tree X</i>, 1986
Open a larger version of the following image in a popup: Michael Heindorff, <i>Tasso's Tree X</i>, 1986

Michael Heindorff German-American, b. 1949

Tasso's Tree X, 1986
Lithograph on wove paper
Edition 29 of 100
Signed and numbered in pencil
36 x 26 1/2 in | 91.4 x 67.3 cm
Sold unframed
$500
Michael Heindorff, <i>Tasso's Tree X</i>, 1986
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Further images

  • (View a larger image of thumbnail 1 ) Michael Heindorff, <i>Tasso's Tree XIV</i>, 1986
  • (View a larger image of thumbnail 2 ) Michael Heindorff, <i>Tasso's Tree XIV</i>, 1986
  • (View a larger image of thumbnail 3 ) Michael Heindorff, <i>Tasso's Tree XIV</i>, 1986
  • (View a larger image of thumbnail 4 ) Michael Heindorff, <i>Tasso's Tree XIV</i>, 1986
COA issued by Collette Gallery
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About the Work


Tasso's Tree X is a screenprint created by German-British artist Michael Heindorff in 1971 as part of his 'Tasso's Tree' series, comprising fourteen distinct, brightly colored images depicting an abstract tree in mid-sway.


Heindorff named this series after the 16th-century Italian poet Torquato Tasso, whose famous work 'Jerusalem Delivered' offers a romanticized and surrealistic account of the 1099 battle for Jerusalem during the Crusades. Heindorff drew particular inspiration for these works from a subplot in the poem, where Ismene, a pagan magician and daughter of Oedipus, raises spirits from the underworld to possess and animate the surrounding trees. When the battle's hero, Tancred, later slashes a tree with his knife, he hears the voice of Corinda, the love he mistakenly killed in battle. After being slashed, these trees bleed and dance like human forms.


This depiction of natural elements dominated by mystical forces was a theme Heindorff frequently revisited throughout his career. Further, these works showcase Heindorff's vibrant color-field painting style, which is particularly suited to the silkscreen technique, in which heavily pigmented ink is applied separately in stenciled sections. Printed on thick wove paper, these large lithographs were published in an edition of 100 by the Bernard Jacobson Gallery in 1986 as a suite.

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