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Leonard Baskin
American, 1922-2000

Leonard Baskin American, 1922-2000

  • Biography
  • Works
Open a larger version of the following image in a popup: Leonard Baskin woodcut art print on japanese paper entitled Dierdre shown against a white background
Open a larger version of the following image in a popup: Leonard Baskin, <i>Deirdre</i>, 1964
Open a larger version of the following image in a popup: Detailed shot of Leonard Baskin's famous Dierdre woodcut print
Open a larger version of the following image in a popup: Corner of Leonard Baskin's Dierdre woodcut print showing his signature written in pencil

Leonard Baskin American, 1922-2000

Deirdre, 1964
Woodcut on Japanese rice paper
Edition 30 of 50
Signed, titled, and numbered in pencil
21 x 29 1/2 in | 53.3 x 74.9 cm
Sold unframed
$2,000
Leonard Baskin, <i>Deirdre</i>, 1964
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Further images

  • (View a larger image of thumbnail 1 ) Leonard Baskin woodcut art print on japanese paper entitled Dierdre shown against a white background
  • (View a larger image of thumbnail 2 ) Leonard Baskin, <i>Deirdre</i>, 1964
  • (View a larger image of thumbnail 3 ) Detailed shot of Leonard Baskin's famous Dierdre woodcut print
  • (View a larger image of thumbnail 4 ) Corner of Leonard Baskin's Dierdre woodcut print showing his signature written in pencil
COA issued by Collette Gallery
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About the Work


Dierdre is a woodcut print by American artist Leonard Baskin, created in 1964. This artwork is representative of the prints for which Baskin became renowned: oversized, black-and-white woodcuts that depict a single figure in states of pensiveness and angst. The subject of this woodcut is likely Dierdre, an ill-fated heroine from Irish mythology, whose story aligns with the artist's preference for macabre literary themes.


Baskin produced these woodcuts by carving images into woodblocks, applying ink to the surface, and carefully pressing paper onto the block with a roller. Along with artist Carol Summers, Baskin was among the first to carve and press prints on wooden blocks that were significantly larger than those traditionally used in Japanese woodcut production. This innovative process pioneered the creation of "monumental woodcuts," allowing Baskin's subjects' strong emotions to have a greater impact.


This work was printed and published in 1964 by Gehenna Press in Northampton, Massachusetts, a distinguished printmaking studio founded by the artist.


An IAC specialist has treated the print to restore the depth and brightness of the black-and-white ink, as well as the translucence of the rice paper. For more information, please get in touch with the gallery.

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